| Category: | Music | | Genre: | Soundtracks | | Artist: | Various Artists |
Episode #4-19: "Blank" "24" by Jem - Played at the beginning of the episode in the Talon. Jem is truly outrageous! Oh wait, wrong Jem. "Let Me Go" by 3 Doors Down - Played while Clark is talking to Lana in the hallway at Smallville High "Satie" by Paco "This Is Your Life" by Switchfoot - Played at the very end of the episode.
:: www.kryptonsite.com ::  | Category: | Music | | Genre: | Indie Music | | Artist: | Death Cab For Cutie |
With songs equal to those on We Have the Facts and a lush, brilliant production that continues what The Photo Album started, Transatlanticism is easily Death Cab's best record to date. Much attention has duly been focused on doe-eyed singer/lyricist Ben Gibbard, co-star of the Postal Service phenomenon, and Ben's voice is as strange, beautiful, and as strong as ever on these songs, which deal with the difficulties of long-distance relationships. But guitarist/producer Chris Walla once again proves himself to be the band's secret weapon, layering subtle sonic touches throughout Transatlanticism, which is most definitely a "headphone record." This Seattle quartet is one of the only bands to really have picked up the intelligent, emotionally resonant, and guitar-driven indie-pop torch that Built to Spill briefly lit in the mid-1990s (before themselves heading off to the stoner-rock territory). DCFC themselves seem poised to finally break out to a wider audience, and they truly deserve it with this disc. ---amazon.com
My favorite tracks:
~ title and registration (track 3) ~ a lack of color (track 11) 
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